Critics heralded their decision to rely on live musicians – real-life humans who plucked bass lines and banged out acoustic drum riffs. Daft Punk Is Breaking Up, to Which We Plead, One More TimeThe French. The album – which won four Grammys in 2014, including for album of the year – is due out May 12 and will feature previously unreleased music.īut fittingly, given Bangalter’s AI apprehension, the duo decided for the 2013 album to largely abandon the synths and drum machines that colored their previous work. “As much as I love this character,” Bangalter said of his helmeted Daft Punk persona, “the last thing I would want to be, in the world we live in, in 2023, is a robot.”īangalter’s wariness of AI aside, a 10th-anniversary reissue of the duo’s final album, “Random Access Memories,” is on the way. Artificial intelligence Astrud Gilberto Auto-Tune BBC News Babel (Mumford. Bangalter stresses how Daft Punk used technology to express something exciting that. The score will be released as an album Friday. Daft Punk was formed after the indie rock band Darling broke up. artificial intelligence and its growing influence on the creative side.
In recent post-Daft Punk work, Bangalter set electronic music production aside to collaborate with French contemporary choreographer Angelin Preljocaj, composing an orchestral score for a ballet that premiered in July. To express his concerns about “the rise of artificial intelligence,” Bangalter referenced Stanley Kubrick’s 1968 film “2001: A Space Odyssey.” He credited the filmmaker for asking “the question that we have to ask ourselves about technology and the obsolescence of man.” “We were always on the side of humanity and not on the side of technology.” “We tried to use these machines to express something extremely moving that a machine cannot feel, but a human can,” Bangalter said in the BBC interview. Albums by the duo, who hardly ever broke character, created a universe for their fictional personas to live in.Įven so, Bangalter shared that many fans misinterpreted their act as an uncritical embrace of tech and digital culture. Throughout their nearly 30-year career, Bangalter and Guy-Manuel de Homem-Christo hid their faces under gold and silver robot masks, while on their way to nabbing Grammy Awards and putting out chart-topping hits and club anthems. “I love technology as a tool (but) I’m somehow terrified of the nature of the relationship between the machines and ourselves.” “It was an exploration, I would say, starting with the machines and going away from them,” he said. ET to hear Rolling Stone Music Now broadcast on SiriusXM’s Volume, channel 106.Thomas Bangalter, formerly one-half of electronic music duo Daft Punk, said this week that his fear of artificial intelligence was a factor in why the group split in 2021.īangalter reflected on the duo’s fictional persona in a recent interview with BBC News, saying that he always felt the group’s thesis was about making sure there is an absolute line “between humanity and technology.”
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ĭownload and subscribe to our weekly podcast, Rolling Stone Music Now, hosted by Brian Hiatt, on iTunes or Spotify (or wherever you get your podcasts), and check out three years’ worth of episodes in the archive, including in-depth, career-spanning interviews with Bruce Springsteen, Halsey, Neil Young, Alicia Keys, Phoebe Bridgers, the National, Ice Cube, Dua Lipa, Questlove, Killer Mike, Julian Casablancas, Sheryl Crow, Johnny Marr, Scott Weiland, Liam Gallagher, Alice Cooper, Fleetwood Mac, Elvis Costello, John Legend, Donald Fagen, Phil Collins, Justin Townes Earle, Stephen Malkmus, Sebastian Bach, Tom Petty, Eddie Van Halen, Kelly Clarkson, Pete Townshend, Bob Seger, the Zombies, Gary Clark Jr., and many more - plus dozens of episodes featuring genre-spanning discussions, debates, and explainers with Rolling Stone’s critics and reporters.
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To hear the entire episode, press play above, or download and subscribe on iTunes or Spotify. Daft Punk were so enamoured with this in-the-field reportage that they buried plans for a DVD tour and opted solely for a live album, Alive 2007, instead.
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In the latest episode of Rolling Stone Music Now, we dig into the full story of Daft Punk, with Jonah Weiner, who wrote our definitive 2013 cover story on the duo, joining host Brian Hiatt for the discussion, sharing his rare experience of meeting the men under the masks. They only made four studio albums (plus the Tron: Legacy soundtrack and music for several tracks on Kanye West’s Yeezus, among other projects), but the duo still stands as one of the most influential acts of the 21st century. Besides a couple tracks with the Weeknd, robot-helmeted French dance legends Daft Punk hadn’t done much since 2013, which made it all the more puzzling that they chose to make a splashy video announcement of their break-up last week (which sent streams of their music soaring up by 500 percent).
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